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The back up group consisted of session singers from the Motown stable and the song's composer, Johnny Bristol.Īt this time, Diana was most anxious to embark on her solo career but still owed Motown one more song on her contract as part of "The Supremes". Regardless, they never would have another Number One hit as a group and with various members pursuing solo careers, most notably Michael and Jermaine, the group formally disbanded in 1989.Īnswer: it was the last Number One hit for Diana Ross & The SupremesĪlthough the song was listed as being performed by "Diana Ross and the Supremes", the only member of the group to attend the recording session was Diana Ross. This ultimately led to the family leaving Motown in the middle of the decade. However, it wasn't long before the Jackson's resented Gordy's influence and agitated for more creative control over their output. Berry Gordy Jr, Motown's head honcho, assembled a group of writer's dubbed "The Corporation" and together they wrote all of the Jackson 5's early hits and promoted the group tirelessly.
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"I'll Be There" was a ballad and probably owed its success by appealing to a wider, older group of listeners. The first three hits were high tempo, designed to appeal to their core group of fans - their age peers - teenagers and pre-teens. Starting on October 17, it had a five week run at Number One and with 1514 points, achieved its second place ranking for the year. Their last Number One for the year and the subject of this question was "I'll Be There". It also had a two week turn at the top of the charts beginning June 27. That was followed by "The Love You Save", ranked 19th with 1009 points.
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It peaked on April 25, stayed on top for two weeks and with 1040 points ranked 18th. With 1229 points, it wound up the year ranked sixth. "I Want You Back" was their first hit reaching Number One on Jan. Chronologically, here are those four hits and how they finished in the year-end rankings. The Jackson 5 was the only recording act in the 20th Century whose first four releases became chart toppers. It became the biggest hit ever for both Thomas and the composing team of Bacharach/David. Hill had him sing so many takes that by the end of the session Thomas was barely croaking out the song and that's exactly the sound Hill was looking for in the movie.
Some instrumental music compositions crossword clue movie#
When the session for the movie recording was scheduled, Thomas was ailing with the flu and laryngitis. The director of the movie was George Roy Hill and he was sceptical that Thomas was the right choice for the assignment. Both declined and through the intervention of Dionne Warwick, a favored vocalist of their compositions, Thomas, a Scepter Records colleague, was given an audition. Originally, the song's composers, Burt Bacharach and Hal David, wanted Bob Dylan to do the song with Ray Stevens as their second choice. It flew up the charts and became the first Number One song of the decade on January 3, 1970. Thomas sang it for the movie and when it was so well received, he returned to the studio to re-record it for release as a single in October 1969. The song, of course, was "Raindrops Keep Fallin' On My Head". Answer: Butch Cassidy and the Sundance Kid